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- What’s it going to be then, eh?
- A Clockwork Orange
- A PSYCHOLOGICAL STUDY ON THE NOVEL A CLOCKWORK ORANGE
- Anthony Burgess — A Clockwork Orange
The novel is concerned with the conflict between the individual and the state, the punishment of young criminals, and the possibility or otherwise of redemption. The linguistic originality of the book, and the moral questions it raises, are as relevant now as they ever were. This resource aims to explore the relevance of A Clockwork Orange , and present valuable information from the archive to anyone interested in learning more about the text.
What’s it going to be then, eh?
A Clockwork Orange , novel by Anthony Burgess , published in Set in a dismal dystopian England , it is the first-person account of a juvenile delinquent who undergoes state-sponsored psychological rehabilitation for his aberrant behaviour. The novel satirizes extreme political systems that are based on opposing models of the perfectibility or incorrigibility of humanity. Written in a futuristic slang vocabulary invented by Burgess, in part by adaptation of Russian words , it was his most original and best-known work. The novel opens in a totalitarian society where violent youths abound.
A Clockwork Orange
A Clockwork Orange is a dystopian novella by Anthony Burgess, first published in Set in a near future where youth violence thrives and punishment is meted out by a totalitarian state, the novel addresses human nature, morality, politics, and authority. Shown here is the American edition published in , with cover art by Larry Turin. Controversially, the American edition was published without the final chapter, in which Alex chooses to reject violence using free-will. Although the film was a commercial success, its scenes of brutal violence sparked outrage among the British public.
A Clockwork Orange is a dystopian satirical black comedy novel by English writer Anthony Burgess , published in It is set in a near-future society that has a youth subculture of extreme violence. The teenage protagonist, Alex , narrates his violent exploits and his experiences with state authorities intent on reforming him. In , A Clockwork Orange was included on Time magazine's list of the best English-language novels written since ,  and it was named by Modern Library and its readers as one of the best English-language novels of the 20th century. Alex is a year-old living in a near-future dystopian city who leads his gang on a night of opportunistic, random "ultra-violence". Alex's friends "droogs" in the novel's Anglo-Russian slang , " Nadsat " are Dim, a slow-witted bruiser, who is the gang's muscle; Georgie, an ambitious second-in-command; and Pete, who mostly plays along as the droogs indulge their taste for ultra-violence.
I am by trade a novelist. It is, I think, a harmless trade, though it is not everywhere considered a respectable one. Novelists put dirty language into the mouths of their characters, and they show these characters fornicating or going to the toilet. Moreover, it is not a useful trade, as is that of the carpenter or the pastry cook. The novelist passes the time for you between one useful action and another; he helps to fill the gaps that appear in the serious fabric of living. He is a mere entertainer, a sort of clown. He mimes, he makes grotesque gestures, he is pathetic or comic and sometimes both, he sends words spinning through the air like colored balls.
A PSYCHOLOGICAL STUDY ON THE NOVEL A CLOCKWORK ORANGE
I finally agreed with myself on concentrating on the main character, Alex, as he probably represents the most complex element of the book. I hope I have somewhat succeeded in demo nstrating this complexity. He is always dressed at the height of fashion, loves classical music and sweets and considers himself fairly good-looking.
Qty : Please note there is a week delivery period for this title. Anthony Burgess's stage play of his infamous cult novel and film of the same name. Alex and his vicious teenage gang revel in horrific violence, mugging and gang rape. Alex also revels in the music of Beethoven. The Gang communicates in a language which is as complicated as their actions.
- Попробуем еще… Кухня.
Anthony Burgess — A Clockwork Orange
Консьерж повернул голову и. Но Беккер не слушал, что тот. Он рассчитал все. Рука консьержа только что покинула ячейку под номером 301. Беккер поблагодарил его и быстро зашагал, ища глазами лифт. Туда и обратно, - повторил он мысленно. ГЛАВА 31 Сьюзан вернулась в Третий узел.
Мгновение спустя, словно в дешевом фильме ужасов, свет в ванной начал медленно гаснуть. Затем ярко вспыхнул и выключился. Сьюзан Флетчер оказалась в полной темноте. Сьюзан Флетчер нетерпеливо мерила шагами туалетную комнату шифровалки и медленно считала от одного до пятидесяти. Голова у нее раскалывалась. Еще немного, - повторяла она мысленно. - Северная Дакота - это Хейл.
- Подожди. Меган с силой толкнула стенку секции, но та не поддавалась. С ужасом девушка увидела, что сумка застряла в двери. Она наклонилась и что было сил потянула ее, стараясь высвободить застрявшую часть. Затуманенные глаза Беккера не отрываясь смотрели на торчащий из двери кусок ткани.