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- Francis Haskell
- History and Its Images: Art and the Interpretation of the Past
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Francis James Herbert Haskell 7 April — 18 January was an English art historian , whose writings placed emphasis on the social history of art. He wrote one of the first and most influential  patronage studies, Patrons and Painters. Haskell was born on 7 April He was the son of Arnold Haskell , an influential ballet critic and writer.
Francis James Herbert Haskell 7 April — 18 January was an English art historian , whose writings placed emphasis on the social history of art. He wrote one of the first and most influential  patronage studies, Patrons and Painters.
Haskell was born on 7 April He was the son of Arnold Haskell , an influential ballet critic and writer. At Cambridge, he was a member of the semi-secretive Cambridge Apostles society, a debating club largely reserved for the brightest students.
In , Haskell was elected a fellow of the King's College, Cambridge. Later he was Professor of Art History at Oxford from until his retirement in ; the position made him, ex officio a Visitor—that is, a trustee—of the Ashmolean Museum. He was a trustee of the Wallace Collection , — In Haskell, who often served on advisory committees for museum loan exhibitions, joined the National Art Collections Fund committee and became one of its most vocal members, defending the purchase of Poussin 's Rebecca and Eliezar for the Fitzwilliam Museum in Cambridge the government refused to accept the painting because it had been in the collection of the disgraced Anthony Blunt.
His interest in the circumstances in which paintings were displayed, which reflected the esteem in which they were held and influenced the way they were perceived runs as a leitmotiv through his published work, beginning with an article jointly written with Michael Levey in Arte Veneta , , that was devoted to art exhibitions in eighteenth-century Venice.
His wife, Larissa, had been a curator at the Hermitage Museum. From Wikipedia, the free encyclopedia. Who Was Who. Retrieved 24 May The British Academy. Namespaces Article Talk. Views Read Edit View history.
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History and Its Images: Art and the Interpretation of the Past
Home Graduate Seminar. Graduate Seminar. The class is structured as a combination of 1 six public workshops with presentations by distinguished invited speakers, followed by a dinner; 2 discussions of assigned readings, limited to graduate students enrolled in the class and the professors; and 3 guided independent research that will result in a final project in the form of a page paper and a brief presentation during the final symposium. Requirements Students must 1 attend all meetings indicated in the schedule below; 2 conduct all assigned readings in preparation for each meeting and participate in group discussions readings are available on the website ; 3 post on our website a short response to the readings no later than 8pm the day before the seminar meets these postings will be password-protected ; and 4 complete a final research project. Please purchase the following books, which we will read on their entirety: Daniel Rosenberg and Anthony Grafton, Cartographies of Time Princeton Architectural Press, —highly recommended as a printed book, though it is available as an e-book through USC a well. Hillary L.
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Karl F. Morrison, Francis Haskell. New Haven: Yale University Press. Most users should sign in with their email address. If you originally registered with a username please use that to sign in.
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NewHaven: YaleUniversity Press Or, indeed,whatdoesthatportraitof an Old Testamentprophetin moderngarbrevealabout the Reverend SalemBland? Do thesecultural artifactsreveal anythingabout the 'spirit of the age,' asHerder, Hegel, and their many followers,consciously or not, haveclaimed?
- Когда я уйду, пожалуйста, никаких глупостей.